Capitol Records did something very strange in 1968 by releasing an album called Stack-O-Tracks featuring fifteen Beach Boys hits devoid of vocals. Early karaoke? An attempt to squeeze blood from a stone? As the band had fallen spectacularly from grace during the previous 18 months (for reasons which still escape me - I remained loyal) the album stiffed on both sides of the Atlantic - well, it would, wouldn't it. Because Brian Wilson left a huge amount of space for the band's gorgeous vocals, the backing tracks generally sound alarmingly sparse - it's hard to believe they were the bedrock of some of the greatest pop music ever created. I presume psychoactive substances must have had something to do with the decision to leave out voices as achingly beautiful as these:
Music obsessives' train-spottery appetite for hearing records broken up into their constituent parts has been whetted over the years by the excellent Classic Albums television series. Here's a typical example, from the programme about The Band's eponymous second album:
Here, the surviving members of The Doors break down "Break On Through to the Other Side":
Back to pure isolated tracks, here are some of my favourites, starting with the vocals-only version of the Rolling Stones' "Gimme Shelter", mainly for the astonishing performance of backing singer, Merry Clayton:
Now, Billy Gibbons's guitar on ZZ Top's John Lee Hooker homage (cough!), "La Grange":
Here's Mark Knopfler's guitar from "Sultans of Swing":
And Paul McCartney's bass on "Come Together":
For anyone who fancies a singalong at this point, here's the backing track for the Righteous Brothers' "You've Lost That Lovin' Feelin'" (I'll take the low part - I suspect I'd end up in A&E if I attempted to match Bobby Hatfield's falsetto):
I'll end with possibly the most famous - and most appreciated - example of an isolated vocal track. I'm talking about Linda McCartney's contribution to a live performance of "Hey Jude":
There's hope for us all.
No comments:
Post a Comment